[REVIEW] Winson Adelaide Oxford
Dear all readers, this is a featured post by my friend Nikki Krisadtyo. He was really eager to write a review on his MTO with Winson and he reached out to me to ask if he could post it on my blog, which I happily agreed. Enjoy!
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The wood doesn’t give off
any scents and feels quite heavy. The surface is very smooth and doesn’t look
porous (almost looks to be finished or varnished, but I'm not sure).
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Thanks
to Adam for giving me the chance to write on his blog. The views contained
herein are strictly my own. If you have any questions, you can reach me through
my Instagram (@nikkikrisadtyo). Feel free to reuse my images with credit.
This
is my second pair of Winson shoes. I was quite satisfied with my first pair and
saw a very big potential in Winson. This time I wanted to try out the Grandeur
line—Winson's flagship line. So, I called Emil of Winson up. I was very pleased
with the result.
SHOES
Upper
From the outset I knew I somehow wanted to incorporate some crocodile leather. Crocodile is probably one of my favorite leathers because of the texture. And texture always adds a lot of interest to any item. But I had to make sure to do it in a very subtle way. Otherwise, the shoes run the risk of looking tacky.
After a lot of back and forth with Emil, and
especially after seeing Simon Crompton's Saint Crispin's wingtips that
incorporated crocodile leather in the lace opening,
Emil and I settled on the current model. We elected to use an adelaide design
as Emil already had experience with this design. I should add that I provided
Emil with the crocodile leather. Hence, no up charge.
The remaining leather of the upper is made of crust
leather, whose color Emil matched with the crocodile leather. The crust leather
feels smooth and uniform, and is a considerable improvement from my first pair,
which feels rough and almost flaky.
The shoes come with seamless heels. Of course, the seamless heels on my shoes are not as difficult to make as, say, seamless wholecuts (which Winson can also make, by the way). But this detail should not be taken for granted, especially considering that makers such as Yohei Fukuda still use back seams on their heel counters, even for their bespoke offerings.
Last and Fit
I used Winson's Qilin last, which is their more elongated and chiseled last. This last goes really well with the overall design of the shoe, which is very sleek, especially with the soles (discussed in depth below).
I ordered this pair in size 43, which is the same size
as my first pair of Winson shoes (Marlyn last). The last seems to be true to
size.
The last is very tight around the waist, but the shoes
do not feel constricting. The heel cup looks quite small and the opening even
smaller. This means that the heels are properly hugged, which prevents
slipping. Aesthetically, this also further emphasizes the curve in the heel.
Construction and Soles
The shoes are 270° handwelted with a closed channel. But the sole stitching is only 180° and the waist is secured by wooden pegs.
I chose wooden pegs as they add more interest to the
sole. But more importantly, I subsequently found out that the wooden pegs
actually allow the waist to be cut closer to make the waist look slimmer.
I was first interested in Winson a few years back
because of their soles. Back then Winson was the only Indonesian shoemaker I
knew that offered fiddle back waists. Naturally, I went with a fiddle back
waist. Emil put a museum finish on the soles with a darker waist. I didn’t ask
for this but have to say that it works well.
For the Grandeur line, Winson gives customers the
option to nail their initials on the waist. I wanted one shoe to retain a clean
waist and thus elected to only put my initials on the right sole. Winson
usually only does one letter per sole, given the size of the nails. I asked if Emil
could put a stylized version of my initials (which was smaller and slimmer, as
otherwise the initials could not fit on one sole). He happily obliged but
warned me that the fiddle back may lose its shape. In the end, the line on the
fiddle back was still very sharp, but I have to say that the placements of the
nails could be neater.
The toes are supported with brass nails to prevent
premature wear. I initially wanted metal toe taps, which Emil initially
confirmed could be done. However, towards the end of the production, I was
informed that he had run out of metal toe taps. Not wanting to wait any longer,
I chose to settle for the brass nails.
I ordered the shoes with Cuban heels, which are nicely
tapered inward. The gap between the sole and the upper is very small, such that
there seems to be an uninterrupted line from the top of the heel to the bottom
of the sole. I personally like the Cuban heels, but I can see how some people
may see them as too feminine.
The soles are squared off in the corners, which I did
not ask for. I am not a fan of this and had asked Emil to make them more
rounded and less protruding. However, Emil said that it was difficult given
that at that time he had removed the shoes from the last. Since I didn’t want
to make a big fuss about it and just wanted to receive the shoes, I did not
push back. Even though I am not a fan of it, I can see how the squared corners
can work with the shoes, which are very sleek. But for my next order, I
explicitly told him not to do this again.
Shoe Trees
I
ordered my shoes with lasted shoe trees for an extra charge. Emil informed me
that his shoe trees are still in R&D. But I didn’t mind being one of his
guinea pigs.
The
shoe trees are in a two-piece construction, held together with a string. I
rarely see this type of construction. Most lasted shoe trees I see are either
hinged or in a three-piece construction. I understand that Emil has made hinged
and three-piece shoe trees. I don’t know the reason why he chose to make my
shoe trees in a two-piece construction. My guess is that he is simply trying to
develop this type of construction. I am not complaining on the construction of
my shoe trees as I can use them without issue.
As
to the shape, you can see just how small the heel is compared to the rest of
the tree. Due to this, I initially had issues removing the long part of the
shoe tree as the shoe kept pulling the shoe tree back in. But with some
technique (i.e., by twisting the shoe tree to the outside) I learned how to
remove the shoe trees. Thereafter, I could remove the shoe trees with relative
ease.
The
shoe trees fit quite snugly in the shoes, but there is some space in the vamp
area. In terms of the shape, however, the rest of the shoe trees is spot on.
One of the main reasons I ordered my shoes with lasted shoe trees is because of
the chiseled toe. I feared that regular shoe trees, which are usually more
rounded, could deform or stretch the chiseled toe.
How it Fits in One's Wardrobe
Given the formality of the last (long and chiseled)
and the color (dark brown), I wear the shoes most often with dark suits.
Charcoal and navy are the safest. Doesn’t work with black suits though. Also
further to my point on fit above, the pictures below really show how well the
heel cup hugs the heel.
Even
though the last and color are quite formal, given the texture of the crocodile
leather and the broguing (which add informality), the shoes also go very well
with more casual and light-colored suits or odd trousers. But for anything
above the suit or below the light-colored odd trousers in the formality
spectrum, the shoes would not work. Thus, I would not wear these with tuxedos
(this should be obvious) and chinos or jeans.
SERVICE
The
shoes are very much a result of a creative process. A compromise, if you will, among
my vision, Emil's vision and what is physically possible in a shoe. In this
respect, I have to say that Emil really shines. The process of nailing the
details down was very fun and Emil always puts in effort to meet my desires.
One
area where Winson falls short is the delivery time. I ordered the shoes on 28
October 2017. I was given a time estimation of two months, for delivery before
the new year. The shoes were finished on 12 April 2018, which was more than
three months past the original time estimation. The shoe trees took an
additional two weeks to complete, but this was not included in the original
time estimation. I ended up taking delivery around early May 2018 after they
had been glacaged by Patrick of Semir (@semir_idn).
I do
appreciate that Winson is a small business and may have limited resources.
However, I would have appreciated it more had I been informed from the outset
that the shoes would take five months to complete. Would I still have ordered
the shoes if I knew from the beginning that it would take five months to
complete? Probably yes. But this would certainly not be the case if time was of
the essence (e.g., for weddings).
CLOSING
The shoes cost me a little over IDR3 million
(including the shoe trees, flat laces, glacage and local delivery). This is
certainly on the high-side among Indonesian shoemakers. But for the price, Winson
offers some of the best values in shoemaking anywhere. I cannot think of another brand that offers handwelted
shoes with lasted shoe trees for that price, let alone with the amount of
detail I elaborated above. The other shoemakers offering this that come to mind
are well around and above the USD1,000 mark.
When ordering from Winson, it must always be kept in
the back of your mind that Winson is a small business with limited resources.
Frankly, I have neglected to remember this a number of times in the five months
I waited for my shoes' arrival. And the wait was frustrating at times,
especially when there was seemingly no progress for months.
This is something that you must consider when ordering
a pair from Winson. The wait might be long, but when the shoes finally arrive,
they will be very much worth the wait.
If you’re still not convinced, here are some extra
pictures:
Selamat Sore , Ijin Post Yahh
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